Problem 260: Pierre Tritten - Fairy (Take & Make) |
(15.10.2013) Wonderful fairy original with Take & Make (typical for the author) by Pierre Tritten. 1.Rd1 Rxg4-e5 2.Kxe5-e1 Sxd5-f3# 1.Ra8 Sxd5-c6 2.Kxc6-a7 Bxd3-d4# 1.Bg2 Bxd3-d5 2.Kxd5-f3 Rxg4-f6# -Anticipatory self-block on black first move -Cycle of white captures -Cyclic interchange of function between white pieces (sacrifice for black King after capture, passive anticipatory guard, mate after capture) -Diagonal-orthogonal echo (Author) Take & Make: Every capture ("take") must be complemented by a further step ("make": not a capture) by the capturing piece, using the movement of the captured unit, otherwise the capture is illegal. Pawns may not end up on their own first rank. Captures on the promotion rank lead to promotions only if the pawn is still on the promotion rank after the "make" part of the move. Promotions at the end of the "make" element are normal. |
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Comments
What would that mean, do the rules change after the first move?
If a fairy condition allows captureless moves then it's good to see them during the play. A relation between capturing and captureless moves makes some condition well used. Of course, there can be a condition "Only-capturing Chess", that would perhaps be rather boring, just as the lack of captureless move in T&M.
Pierre's selfblock in B1 is trivial but thematic, W1&B2 are thematic sacrifices for a trivial transfer of bK and W2 is a brutal thematic annihilation of a mate-guarding black piece. However, the trivial and brutal motivations for the play are beautifully and skilfully arranged to unite the cycles of Zilahi and of the white captures. Captures are thematic because of their specific motivations for the play and for the cycles, not because of their T&M specificness.
A selfblock by bSg4 (instead by bRd8) would be "too much" of a perfect economy :)
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